Directors - Directors have the creative vision for the film from pre-production to the final edit. They work closely with screenwriters (often they can be the screenwriter) and producers too to help keep a visual of the final edit. They can be employed by producers, film or television production companies or work as a freelance.

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Producers - Producers are at the financial, practical and creative heart of a film or TV drama.They are the first to get involved with the creative opportunity which they will continue to push right through the distribution of the film or TV drama.

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Production Designer - Production designers are the ones who create the visuals/settings of a film or TV drama. They work with other visual departments to create the world where the story is set for example a steampunk setting to another planet like Mars for example. They are usually freelancers. 

                       A production designer needs to have the technical skills of operating a camera and understanding the camera and the effect on the film’s look on mood by using different lighting as such. They would need to understand colour theory and be able to draw by hand to scale with technical drawings and computer aided design. Art and creativity are essential for a production designer since they visualise the whole look. Communication again is one of the required essential skills since they have to communicate with the whole art department to share the vision which they have. The qualifications required to be a production designer includes the National Diploma in Photography, 3D Design and crafts or a Technical Diploma in Art and Design or equivalent.  

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Art Director - Art directors are responsible for the visual style of the animation. They decide how the characters, props and environments are going to look and provide a basis for the rest of the art department to work from.

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DoP (Director of Photography) -  They work with the director to go over the look and feel of a film and how they will achieve it. They then research how to create this desired look through lighting, framing and camera movement and what they will need in terms of kit and crew to achieve this.

 

Grip - Grips make sure that what the director and director of photography (DoP) want to achieve on a shoot is possible. While directors think of the visuals of the shots, grips work out how they are going to move the cameras to make that happen as they may need to hire equipment to support/adapt the cameras in an extreme place like deserts for example.

Digital Imaging Technician - Digital imaging technicians are essentially camera technicians who work with the DoP to understand what camera effects they desire.  They also advise the camera crew on shots in progress, reporting any soft focus, framing issues or unwanted reflections and shadows.

Gaffer - Gaffers work closely with the DoP to bring to life the overall look of a film by creating and controlling light. For example they will change up the lighting to a tungsten hue if the DoP wants to achieve a warmer feel to the overall look.

Sound Mixer - Sound mixers head up the department responsible for all the sound recorded during filming. This is normally dialogue but can include sound effects and atmosphere. They can also work with Foley artists to add extra sound effects if needed.

 
Editor - The editor cuts the footage and puts them together as they come in from the set. Films tend not to be shot in the order in which the story unfolds, so editors might be working on scenes from the end of the film before the beginning. Their job is to take scenes in non-story order and edit them into chronological order. Technical skills which an editor will need will be the use of being comfortable and experienced in editing software such as Adobe Premiere. Other general skills would be visual awareness, storytelling and communication since the editor needs to communicate with edit assistants, sound editors, dialogue editors, colourists, VFX supervisors and post-production runners.

                       This job requires a lot of communication therefore communication is an essential skill that is compulsory. The qualifications which you will need to become an editor will require a National Diploma in Film and Television Production or equivalent however you would need to have a Post production Technical Operator level 4 to get an apprenticeship in England where as in Northern Ireland and Wales, you will just need a level 3 creative and digital media.

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Animators - Animators makes 2D or 3D figures which has their own personality by making them move in ways that show their character and emotion. In VFX, they use CG rigs which motion track to help make the characters in a shot move in a believable way. They might animate vehicles or machinery too.

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VFX Producers - VFX producers are managers throughout the whole process of the creation of the VFX to the end where they make sure that the end client is happy with the received cut.

 

VFX Editors - VFX editors are people who link between the film or TV production team and the VFX studio that does the visual effects. They may go on set to ensure that the VFX that is desired is possible whilst capturing the live action shoot.

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Costume Designers - Costume is at the core of a film or TV drama. As well as making up the look, it may help the actors feel emotionally connected to the character they are playing through wearing the character’s clothes.

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Concept Artist - Concept artists create artwork to inspire the look of the VFX in a film or TV production. They draw the characters or creatures and environments as well as vehicles, props and buildings. The artwork that concept artists create helps other members of a production, or in the VFX pipeline, to have a shared vision.

Storyboard Artist - Storyboard artists help the head of story create a visual representation of the film's narrative. Storyboard artists translate the script and the director’s vision into pictures. They produce a series of images to plan the shots and ensure continuity between them. These form the basis for the film or TV  in the next stage of production. They are also a way to show the camera movement and composition movement as well.

 
CG Supervisor - Computer graphics (CG) supervisors are ultimately responsible for the delivery and quality of the 3D CG elements of a VFX project.

Modelling Artist - Modelling artists create characters, weapons, plants and animals on a computer in 3D. They start with a brief, which might be 2D or 3D art produced by a concept artist. Or they can work from reference materials, such as photographs or line drawing sketches, which can be scanned into 3D software.

Texture Artist - Texture artists make surfaces look realistic on CG 3D models. They may also do a rough painting of the models to find out what texture is to be used.

Compositor - Compositors create the final image of a frame, shot or VFX sequence. They take all the materials used, such as CG images, live action footage and matte paintings, and combine them to appear as one cohesive image and shot.

Rotoscope Artist - Roto artists are people who do rotoscoping which is when they move frame by frame and add or cut or mask out objects that need to be altered. It is a long process but it can make or break the film.

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(Reference: "Job Profiles," (n.d.) Retrieved from https://www.screenskills.com/careers/job-profiles/ )